
» Listen up L.A.: My friend Megan Geckler is part of a group art exhibition this weekend, entitled “FR8“. Commissioned by the City of San Pedro, the artists featured in this exhibit will display their work in shipping containers along the city’s waterfront. It’s a one night only deal, so if you slack, youre going to totally miss it. Here is an amazing time-lapse photo of Megan and her assistants installing the work.
» I’ve got a Soundadvice pick on Tussle (Now 100% Totally Without Andy Cabic) for the CIty Paper this week:
San Francisco’s Tussle’s most recent release is packed tighter than a pair of hipster’s jeans at Making Time; Telescope Mind (Smalltown Supersound) closely resembles the ur-dancepunk it’s drawing heavy inspiration from. Drifting away from the dub influences of earlier records, Telescope finds motorik rhythms pressing tightly against a linear expression of keyboards unable to decide whether they’re CB radios or heavenly transmissions (answer: they’re both), and contributions from Liquid Liquid’s Sal Principato.
Tussle, “Flicker” (From Telescope Mind)
Buy this record at iTunes or Smalltown Supersound!
» I know, I can’t shut up with the Sassy talk these days, but HSCMYL co-author Marisa is already hard at work on her next book — and she wants Y-O-U to fill out a questionnaire. I never thought that my goofy little Q&A would be of use; lo and behold, one of my answers winds up in the book. Anyway, I’ve gorked her email to prevent spammers, once again but copy and paste the following with your answers and send ‘em along to her:
I’m writing a book about women, music, and the 1990s for the publisher Farrar, Straus and Giroux, to be published in early 2009.
The general theme is to take a critical look at the idea of girl power in its many forms — from the riot grrrls to the Spice Girls, Britney Spears to Beyonce, “girls kick ass” baby tees to girls rock camps, and everything in between — and I’m interviewing lots of musicians, critics, and the like, but I also really want to hear from fans.
I’ve included a few questions to prompt deep thoughts, but I’m interested in really anything you have to say on the subject. I hope you’ll spend some time thinking about this, but I’d also love to get your answers sooner rather than later. Please send them to me.
Please do forward this to friends (male and female alike), mailing lists, bulletin boards, post on blogs, whatever!
Best,
Marisa
PS: The Sassy book is out and full of quotes from fans I contacted through a very similar mass email about two years ago.
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I’d like your name and age.
Define “girl power” as you see it. Was it third wave feminism given a sparkly, apolitical makeover? Or a social phenomenon?
Even though this book is mostly about the 90s, I’m also talking about the decades before. What kind of music did you grow up listening to? I’m especially interested in music by women, of course. Were you glued to watching Madonna and Cyndi Lauper on MTV? Did you have an intense listening to Joni-Mitchell-in-my-bedroom phase?
What music were you listening to in the 90s? And what are you listening to now? Specific songs, bands, whatever comes to mind.
I would absolutely love to hear anecdotes about concerts you’ve attended. Did you see boys getting pushed out of the front at a Bikini Kill show? Did you go to Lilith Fair for Liz Phair, but stayed so you could sing along to the Indigo Girls? Did you organize a Ladyfest? Did you and your best friend go see Christina Aguilera play at Madison Square Garden?
Was there a stronger sense of female empowerment, not just in music, but in our culture in general, during the 90s? What do you think of the decade now?
Now that Sleater-Kinney broke up, Le Tigre is on some kind of extended hiatus, Destiny’s Child is no longer, and Ladyfests seem to be on the wane, is this a dark moment for women in music? Will popular music be always and forever a boys’ club, or are we on the verge of some kind of real cultural change? I would love to hear your thoughts on where you think this is all headed–what makes you depressed and what gives you hope? What is girl power today?
» Not to end this message on a downer note or anything, but ESG’s Valerie Scroggins is currently being investigated for defrauding the NYC Transit Authority through workman’s compensation:
Valerie Scroggins, the drummer for acclaimed art-funk ensemble ESG, autographed CDs and posed for photos with fans during a concert tour in Europe last year.
But one of the fans turned out to be an investigator for the Metropolitan Transportation Authority, and Scroggins, an NYC Transit bus driver receiving workers’ compensation for shoulder injuries, was nabbed.
Scroggins, 44, was indicted yesterday by a Brooklyn grand jury on charges of taking more than $13,000 in workers’ compensation, Brooklyn District Attorney Charles Hynes said.