i got caught in the torrential downpour on my walk from kinko’s to the club. not even my measly umbrella could spare me from getting absolutely, motherfucking drenched.
im not even sure where to start on this show. do i talk about how it was very difficult to get who was in what band straight, or mention that guest list stuff was a hassle? i dont know. eventually, i gave up on the administrative/organization end and let sara deal with it.
the most impressive band of the lot were thanksgiving, on tour from portland. they had this early Idaho/smog thing happening and it was all spontaneous [as i learned later]. it was a good thing the crowd got there early to witness it.
rock lotto winners buddy were up next. i should mention that since their original drummer was too busy with work, they found a replacement with the drummer from the losing rock lotto band. maybe im the only one who laughs at the irony [and the jokes when they are so bad]. they basically played the same set as rock lotto, but a bit more polished up. their debut ep, recorded at indre studios, sounds professional but im hoping they send some of those tracks through a 4-track, under the bushes under the stars-style.
grandfabric were up next and i couldnt catch much of their set since i was working the door. [spot the trend] but i liked what i heard, especially when they got more dissonant.
eli played last and the shortest set of the night, due to his strained voice. [while i am not dear abby, there is something to be said of why people shouldnt too many shows in a month, unless they are on tour] indie rock informed by elvis costello and pixies, which is something i like a lot.
a good crowd showed up, but we ran into several instances where people were trying to scam their way in for free. if you are not one of the following, there is no reason why you shouldnt pay the door charge:
- you’re in the band;
- you have written up the show for a paper;
- you are writing up the show for a paper [and have notified the promoters];
- you’re the significant other of a plain parade employee;
- the band has put you on the guest list;
otherwise, pay up the 7-8 dollars. last i checked, booking agents and promoters are not philantropists with a surplus of cash to throw at bands, so do not regard us as such.
even those who have never been involved on the business side of music probably know that bands get paid by the revenue generated at the door. the club makes its money by the bar [now you know why there are so few all-ages establishments in philly].
not paying to see a band is like asking to work at your job for free. sounds pretty ridiculous, right? THATS CAUSE IT IS. even though you may see someone grace the stage for 30-45 minutes, unaccountable hours went into that. plain parade does its best to compensate for all that time and effort, which means we give bands the door.
anyway, im writing this missive because a local member of the press [if you can call X that] had the nerve to complain about how he/she should have been allowed in for free, even though the band who was supposed to put them on the list failed to do so and didnt make any attempt to have their door refunded.
to this i say:
fuck you, i dont owe you any favors. your paper has never written us up and caters to an audience which we clearly want no part of. ive been kind enough to let you promote your own things when its appropriate and you have the nerve to justify your actions? rudeness is as rudeness does.